Pot times
Showtime Goes To Pot
URL: http://www.mapinc.org/drugnews/v05/n1058/a05.html
Newshawk: chip
Pubdate: Fri, 01 Jul 2005
Source: Wall Street Journal (US)
Section: Pg W3
Copyright: 2005 Dow Jones & Company, Inc.
Contact: wsj.ltrs@wsj.com
Website: http://www.wsj.com/
Details: http://www.mapinc.org/media/487
Author: John Lippman
Bookmark: http://www.mapinc.org/pot.htm
(Cannabis)
Hollywood Report SHOWTIME GOES TO POT
Will A Drug-Dealing Mom Attract Cable Subscribers?
Exploring The Gray Areas
As a teenager growing up in Beverly Hills, Jenji Kohan once rummaged through
the refrigerator at a girlfriend's house in search of a snack and discovered
something else: a drawer stuffed with marijuana. Although not a pot
smoker herself, she instantly knew what was inside the plastic baggies.
"It wasn't celery," she says.
The discovery by Ms. Kohan that a pair of seemingly conventional parents
smoked marijuana led her, decades later, to create "Weeds," a series
about a suburban soccer mom who, in order to make ends meet after her husband
dies of a heart attack while jogging, turns to dealing pot.
The show, which stars Mary-Louise Parker as the dealer and Elizabeth Perkins
as her best friend, is equal parts comedy and drama, with an eye to exploring
the chimerical moral codes of family life in a sun-bleached Southern
California suburb where everyone drives SUVs and walks around with double
lattes from the local cafe. The first of 10 half-hour episodes premieres
Aug. 7.
For Showtime, this series is part of a continuing move to compete more
directly with longtime industry leader HBO by producing more of its own
original programming. Along with "Weeds," which was produced
by Lions Gate Television, Showtime will introduce the comedy
"Barbershop" in August, an adaptation of the two hit movies.
The network has begun production on two dramas -- "Sleeper Cell,"
about terrorism, and "Brotherhood," about one brother who goes into
politics and the other who enters organized crime. In years past,
Showtime focused almost exclusively on airing made-for-cable and feature
films. The strategy is a nod to the success of pay-cable shows that push
creative boundaries, from the brutality on HBO's "The Sopranos," to
the social lives of lesbians on Showtime's "The L Word."
'Soft' On Pot?
Nevertheless, it's an awkward time to launch a TV series that takes a casual
view of pot smoking. Up to now, comic depictions of drug use have been
limited to lightweight teen gag movies like Cheech and Chong's 1978 "Up
In Smoke" or last summer's "Harold and Kumar Go to White
Castle." Moreover, "Weeds" makes its debut at a moment when
social conservatives are putting enormous pressure on Hollywood to pay
attention to "values" and practice a modicum of self-censorship.
The Bush administration doesn't view marijuana as a "soft" drug, and
in June, the U.S. Supreme Court affirmed the federal government's right
to prosecute medical marijuana users. [Weeds] Mary-Louise Parker, Tonye
Patano and Romany Malco in "Weeds."
Bob Greenblatt, Showtime's president, is quick to assure that
"Weeds," which was picked up last December, isn't an attempt to
needle cultural conservatives. "We're not out to make a political
statement about drugs," he says. At first glance, Ms. Kohan,
a veteran comedy writer who has worked on such sitcoms as "Mad About
You," "Gilmore Girls" and "Sex and the City," seems
like a creature of libertine Hollywood. Her father, Buzz Kohan, is a
longtime writer for the Academy Awards who has won 13 Emmys. Her mother,
Rhea, wrote for Dolly Parton. And her older brother, David, is the
creator and executive producer of "Will & Grace."
But Ms. Kohan says she's anything but a cultural radical. Raised
as a conservative Jew, she sends her two kids to a religious school and
gathers with her extended family each Friday for a traditional Shabbat dinner.
"I lead an incredibly conventional life," she says.
Tense Topic
To Ms. Kohan, the central focus of "Weeds" is the tension that
arises when someone who has built a life along lines of conventional morality
decides to subvert it for practical purposes. In the early episodes, Ms.
Parker's character, Nancy Botwin, refuses to allow her older son to have sex
with his girlfriend in their house ( he does anyhow ) and slams a teenager
against a car after he is suspected of selling marijuana to a 10-year-old --
all while serving as the neighborhood pot peddler.
Ms. Parker's character's loyal and secret customers include a local city
councilman, as well as the husband of her best friend, who's the otherwise
uptight president of the PTA. She buys her supply from an
African-American family in a hardscrabble Los Angeles neighborhood, where the
leader is a crochet-knitting mother whose business skills are just as sharp as
her wisecracks and homespun wisdom. For Ms. Parker's character,
these dealers eventually become a parallel and embracing family outside her
suburban existence -- expressing Ms. Kohan's idea that marijuana is a
drug that "crosses all cultural, racial, social and economic
divisions."
Ms. Kohan describes the show as a combination of comedic and dramatic
elements -- a genre known as "dramedy" in Hollywood argot. As
is the custom on pay-cable shows, Ms. Kohan's characters liberally toss
out obscenities and make graphic references to sex. But far from a
typical network sitcom, "Weeds" has the unrushed pacing and
one-camera documentary style of an HBO series like "Curb Your
Enthusiasm" and the same unsentimental approach to characters seen in
another dramedy, "Six Feet Under." "I came out of network TV
where everyone has to be good or bad," Ms. Kohan says.
"I wanted to invent characters that are more complex as a vehicle to
explore the gray areas."
This isn't the first time the theme of "mom and pot" has appeared on
film. in 2000, the British film "Saving Grace" touched on
similar themes. And HBO has optioned "Pot Mom," a 1994 comedy
written by Justin Tanner, about the mother of three teenage kids who sells the
drug to make money while unemployed. The two TV concepts were similar
enough that HBO passed on "Weeds" before Showtime picked it up.
HBO has no immediate plans to put "Pot Mom" into production.
Hard Sell
Showtime has planned a relatively aggressive marketing campaign, erecting 50
billboards in New York and Los Angeles and airing promotional spots in its own
prime time. Ads for general audiences, like spots on VH1 and E!, will
leave the premise of "Weeds" ambiguous. "We are
positioning this show as a woman who has to make ends meet and who will do
anything to make ends meet," says Len Fogge, president of marketing at
Showtime. The show cost about $1.6 million per episode to produce--
about 60% more than a typical sitcom episode.
As to whether "Weeds" will become another piece of ammunition in the
cultural wars, Ms. Kohan says she'd be surprised. "It's
entertainment. It's a TV show," she says. "I don't find
it that outrageous."
Write to John Lippman at john.lippman@wsj.com
Coming to a TV Near You
Two new series have recently premiered on cable: "The Comeback," on
HBO, with ex-"Friend" Lisa Kudrow as a former sitcom star; and TNT's
"The Closer," which stars Kyra Sedgewick as a police officer.
Here are some other cable series set make their debuts soon:
SHOWTIME
Barbershop Based on the "Barbershop" movies, the comedy will
continue the story of Calvin, who runs a Chicago barbershop. None of the
movie's actors will appear in the series, but several characters have been
retained. The first of 10 episodes will premiere Aug 14.
Sleeper Cell This drama is about a Muslim FBI agent who infiltrates an Islamic
terrorist cell in Los Angeles. The first episode was directed by Clark
Johnson, who also directed the premieres of FX's "The Shield," and
HBO's "The Wire." Set to air this fall.
Brotherhood Set in an Irish neighborhood in Providence, R.I.,
"Brotherhood" is about two brothers -- a politician and a mobster.
The first episode was directed by Phillip Noyce, who also helmed the movie
"Clear and Present Danger." Scheduled to begin in early 2006.
HBO
Rome With a budget of about $100 million, HBO's historical drama is the most
expensive TV series of the season. It's about two soldiers, and is set
against the backdrop of the birth of the Roman Empire. The first of 12
episodes premieres on Aug. 28.
FX
Over There TV veteran Steven Bochco ( "L.A. Law," "Blind
Justice" ) is producing this war drama, which focuses on soldiers taking
their first tour of duty on the front lines of Iraq. Premieres July 27.
